ALL YOU NEED IS LOVE _ LIVE BROADCAST
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https://en.wikipedia.org/wiki/All_You_Need_Is_Love
The Our World broadcast took place in the wake of the Arab–Israeli Six-Day War and, for the Beatles, amid the public furore caused by McCartney's admission that he had taken LSD.[52] On 25 June, the live transmission cut to EMI Studios at 8:54 pm London time, about 40 seconds earlier than expected. Martin and engineer Geoff Emerick were drinking scotch whisky to calm their nerves for the task of mixing the audio for a live worldwide broadcast, and had to scramble to hide the bottle and glasses beneath the mixing desk after being told they were about to go on air.
The Beatles (except for Starr, behind his drum kit) were seated on high stools, accompanied by a thirteen-piece orchestra. The band were surrounded by friends and acquaintances seated on the floor, who sang along with the refrain during the fade-out.
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Balloons, flowers, streamers and "Love" graffiti added to the celebratory atmosphere. The Beatles and their entourage were dressed in psychedelic clothes and scarves; in his report on the performance, Barry Miles likened the setting to a medieval gathering, broken only by the presence of modern studio equipment such as large headphones and microphones.[62] According to Michael Frontani, an associate professor of communications, whereas Sgt. Pepper showed the Beatles as artists and "serious musicians", Our World emphasised their identity as members of the hippie counterculture.[63][nb 6]
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In the opinion of music critic Richie Unterberger, the performance of "All You Need Is Love" is "the best footage of the Beatles in the psychedelic period" and "captures Flower Power at its zenith, with enough irreverence to avoid pomposity, what with the sandwich boards of lyrics, the florid clothing and decor, and celebrity guests".[66]
Wikipedia:
https://en.wikipedia.org/wiki/All_You_Need_Is_Love/.../Live broadcast
There was a tremendous feeling that [the Beatles] really did believe all this, and they'd very consciously written an anthemic piece that could be understood worldwide. This was the first time TV had been beamed to so many countries, and obviously most of the listeners wouldn't be English speakers. They wrote something really, really basic, and yet still got the countercultural message across.[51]
The Our World broadcast took place in the wake of the Arab–Israeli Six-Day War and, for the Beatles, amid the public furore caused by McCartney's admission that he had taken LSD.[52] On 25 June, the live transmission cut to EMI Studios at 8:54 pm London time, about 40 seconds earlier than expected. Martin and engineer Geoff Emerick were drinking scotch whisky to calm their nerves for the task of mixing the audio for a live worldwide broadcast, and had to scramble to hide the bottle and glasses beneath the mixing desk after being told they were about to go on air.[5][37]
The Beatles (except for Starr, behind his drum kit) were seated on high stools, accompanied by a thirteen-piece orchestra. The band were surrounded by friends and acquaintances seated on the floor, who sang along with the refrain during the fade-out. These guests included Mick Jagger, Eric Clapton, Marianne Faithfull, Keith Richards, Keith Moon, Graham Nash, and Pattie Boyd (Harrison's wife), along with Mike McGear and Jane Asher (McCartney's brother and girlfriend, respectively).[37] The studio setting was designed to reflect the communal aspect of the occasion while also demonstrating the position of influence that the Beatles held among their peers, particularly following the release of Sgt. Pepper.[53][nb 4] Many of the invitations were extended through Beatles aides Mal Evans and Tony Bramwell, who had visited various London nightclubs the night before the broadcast.[58]
Also among the studio audience were members of the Small Faces[25] and the design collective the Fool.[60][nb 5] Balloons, flowers, streamers and "Love" graffiti added to the celebratory atmosphere. The Beatles and their entourage were dressed in psychedelic clothes and scarves; in his report on the performance, Barry Miles likened the setting to a medieval gathering, broken only by the presence of modern studio equipment such as large headphones and microphones.[62] According to Michael Frontani, an associate professor of communications, whereas Sgt. Pepper showed the Beatles as artists and "serious musicians", Our World emphasised their identity as members of the hippie counterculture.[63][nb 6]
The segment was directed by Derek Burrell-Davis, the head of the BBC's Our World project.[64] It opened with the band playing "All You Need Is Love" for about a minute, before Martin, speaking from the studio control room, suggested that the orchestra should take their places for the recording as the tape was rewound.[37] The BBC presenter, Steve Race, announced that the Beatles had just recorded this performance and were about to complete the recording live.[46] In fact, in author John Winn's description, Race's statements were part of the "staged" aspect of the segment, which purported to show the Beatles at work in the studio: the opening footage of the band (merely rehearsing over the backing track) had been filmed earlier, and by the time Martin appeared to be issuing instructions, the orchestra were already seated in Studio 1.[46][nb 7] The Beatles, accompanied by the orchestra and the studio guests, then performed the entire song, overdubbing onto the pre-recorded rhythm track. In addition to the lead and backing vocals and the orchestra, the live elements were McCartney's bass guitar part, Harrison's guitar solo and Starr's drums.[38][65] In the opinion of music critic Richie Unterberger, the performance of "All You Need Is Love" is "the best footage of the Beatles in the psychedelic period" and "captures Flower Power at its zenith, with enough irreverence to avoid pomposity, what with the sandwich boards of lyrics, the florid clothing and decor, and celebrity guests".[66]
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