ATL_004 TEEMAJA AMBROOSIA LOOD _ AMUSED / THIRTY-TWO ASPECTS OF CUSTOMS AND MANNERS
Amused: Habits of a high-ranking Armandonian man of the 2020s
Amused: Habits of a high-ranking lady-in-waiting of the Bunsei era#AmbroosiaTeeLood #GentlemenFromEstonia #YoshitoshiTsukioka #PöialRaineriLooduskool #EestiLoodusePäev #KumariImedemaa #FlowerPower #InTheBottomOfMyGarden #Meestemoemuuseum #AMansGardenOfVerses #EroGuro #EndelLeppFashionHouse #MuzanE #TheHouseOfPlaybunny #NahaJaKarvadega #CatchAndKill #KumariImedemaa #TheGardenOfMensFashionDelights #AppallingSilence #TeedeniAiaSalaarhiiv #GentlemensFloralCabinet #MEEZ082026
https://en.wikipedia.org/wiki/Thirty-Two_Aspects_of_Customs_and_Manners Thirty-Two Aspects of Customs and Manners (Japanese: 風俗三十二相, Hepburn: Fūzoku Sanjūnisō), also known as Thirty-Two Aspects of Daily Life and Thirty-Two Aspects of Women,[2] is a series of ukiyo-e woodblock prints by Tsukioka Yoshitoshi that was published in 1888 (Meiji 21).[3]
The series consists of 32 large-format prints (33 including the title page) depicting beautiful women.[4] The series depicts various social classes from the late Edo period Kansei era through to the Meiji era, and is highly regarded as a masterpiece and representative work of Yoshitoshi's bijin-ga prints.[3] The series was published by Shimazendo Tsunashima Kamekichi of Nihonbashi Bakurochō.[4][5]
Yoshitoshi, along with kabuki actor Ichikawa Danjūrō IX, was an advocate for the preservation of Edo period traditions during the influence of Western culture in Japan during the Meiji period,[1] and this transition is visible in the series.[6] The last print of the series, Strolling: Habits of the wife of a nobleman of the Meiji era, is a rare example of Yoshitoshi choosing to depict Western influences in his work.[7]
The series consists of 32 large-format prints (33 including the title page) depicting beautiful women.[4] The series depicts various social classes from the late Edo period Kansei era through to the Meiji era, and is highly regarded as a masterpiece and representative work of Yoshitoshi's bijin-ga prints.[3] The series was published by Shimazendo Tsunashima Kamekichi of Nihonbashi Bakurochō.[4][5]
Yoshitoshi, along with kabuki actor Ichikawa Danjūrō IX, was an advocate for the preservation of Edo period traditions during the influence of Western culture in Japan during the Meiji period,[1] and this transition is visible in the series.[6] The last print of the series, Strolling: Habits of the wife of a nobleman of the Meiji era, is a rare example of Yoshitoshi choosing to depict Western influences in his work.[7]
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https://en.wikipedia.org/wiki/Thirty-Two_Aspects_of_Customs_and_Manners#/media/File:NDL-DC_1312768-Tsukioka_Yoshitoshi-%E9%A2%A8%E4%BF%97%E4%B8%89%E5%8D%81%E4%BA%8C%E7%9B%B8_%E3%81%8A%E3%82%82%E3%81%97%E3%82%8D%E3%81%95%E3%81%86_%E6%96%87%E6%94%BF%E5%B9%B4%E9%96%93%E5%A5%A5%E5%A5%B3%E4%B8%AD%E3%81%AE%E9%A2%A8%E4%BF%97-%E6%98%8E%E6%B2%BB21-crd.jpg
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