PRLK_003 / THE HEAVY BASKET _ TSUKIOKA YOSHITOSHI / ENDEL LEPP
/.../ "Yoshitoshi's courage, vision and force of character gave ukiyo-e another generation of life, and illuminated it with one last burst of glory," wrote author John Stevenson, reflecting a sentiment that Yoshitoshi himself may have intended in his death poem: "holding back the night / with its increasing brilliance / the summer moon." /.../
#PRLK #TsukiokaYoshitoshi #GentlemenFromEstonia #RainerVakra #PöialRaineriLooduskool #Meestemoemuuseum #EksitavTurvatunne #AMansGardenOfVerses #EroGuro #KülaooperArmandonia #EndelLeppFashionHouse #MuzanE #MartinKumariImedemaal #MartinTeeSuviKirblas #WhoTheFuckIsMartinTee #TheHouseOfPlaybunny #NahaJaKarvadega #CatchAndKill #KumariImedemaa #TheGardenOfMensFashionDelights #AppallingSilence #FearAndLoathingInArmandonia #ShadowWarfare #TeedeniAiaSalaarhiiv #GentlemensFloralCabinet #TheKirblaMethod #MEEZ082026
https://www.ebay.com/itm/202230968606 Tsukioka Yoshitoshi : "The Heavy Basket" (1892) - Giclee Fine Art Print Item specifics
Condition
New: A brand-new, unused, unopened, undamaged item (including handmade items). See the seller's ... Read moreabout the condition
Type Print
Country of Origin
United States
Category
breadcrumbCollectibles & Art
Art
Art Prints
Item description from the seller
"The Heavy Basket," by Tsukioka Yoshitoshi (1892)
Available Formats
• 9" x 12" (Image: 7.13" x 10.5")
• 12" x 16" (Image: 9.44" x 14")
• 16" x 20" (Image: 11.5" x 17")
• 20" x 30" (Image: 16" x 23.63")
• 24" x 36" (Image: 19" x 28")
Archival Inkjet on Matte Finish Fine Art Paper
About the Artwork
Tsukioka Yoshitoshi is widely regarded as the last great master of the ukiyo-e genre. His career spanned the opening of Japan and the beginning of the Meiji Restoration; a period of radical social, political and technological change during which he pushed traditional Japanese woodblock printing to a new level, even as the advent of photography and lithography were rendering it obsolete. "Yoshitoshi's courage, vision and force of character gave ukiyo-e another generation of life, and illuminated it with one last burst of glory," wrote author John Stevenson, reflecting a sentiment that Yoshitoshi himself may have intended in his death poem: "holding back the night / with its increasing brilliance / the summer moon."
The Heavy Basket is one of his series New Forms of Thirty-Six Ghosts. A sequel to his 1865-1866 series One Hundred Ghost Stories of Japan and China, it was published in the final years of his life, its last three designs appearing posthumously. The print depicts an elderly woman being tormented by a gaggle of demons who emerge from a large wicker basket. Having been presented the choice of a small box (which contained gems) and a large box, she has given in to greed and received her just rewards.
Fine Art Quality
The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them.
Happiness Guarantee
All of The Ibis’s prints come with a 100% happiness guarantee. If you are disappointed in your purchase for any reason, you are welcome to return it for a full refund.
Seller assumes all responsibility for this listing.
eBay item number:202230968606
Condition
New: A brand-new, unused, unopened, undamaged item (including handmade items). See the seller's ... Read moreabout the condition
Type Print
Country of Origin
United States
Category
breadcrumbCollectibles & Art
Art
Art Prints
Item description from the seller
Available Formats
• 9" x 12" (Image: 7.13" x 10.5")
• 12" x 16" (Image: 9.44" x 14")
• 16" x 20" (Image: 11.5" x 17")
• 20" x 30" (Image: 16" x 23.63")
• 24" x 36" (Image: 19" x 28")
Archival Inkjet on Matte Finish Fine Art Paper
Tsukioka Yoshitoshi is widely regarded as the last great master of the ukiyo-e genre. His career spanned the opening of Japan and the beginning of the Meiji Restoration; a period of radical social, political and technological change during which he pushed traditional Japanese woodblock printing to a new level, even as the advent of photography and lithography were rendering it obsolete. "Yoshitoshi's courage, vision and force of character gave ukiyo-e another generation of life, and illuminated it with one last burst of glory," wrote author John Stevenson, reflecting a sentiment that Yoshitoshi himself may have intended in his death poem: "holding back the night / with its increasing brilliance / the summer moon."
The Heavy Basket is one of his series New Forms of Thirty-Six Ghosts. A sequel to his 1865-1866 series One Hundred Ghost Stories of Japan and China, it was published in the final years of his life, its last three designs appearing posthumously. The print depicts an elderly woman being tormented by a gaggle of demons who emerge from a large wicker basket. Having been presented the choice of a small box (which contained gems) and a large box, she has given in to greed and received her just rewards.
The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them.
Happiness Guarantee
All of The Ibis’s prints come with a 100% happiness guarantee. If you are disappointed in your purchase for any reason, you are welcome to return it for a full refund.
Kommentaarid
Postita kommentaar