ANDY & MICK / KUMARI & MUSJÖÖ
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Summer 1975. Warhol’s houseguest: Mick Jagger.
Mick Jagger and his wife, Bianca, had rented Warhol’s Long Island home that summer.
During that visit, Warhol photographed Jagger extensively, producing the Polaroids that would become the basis for the Mick Jagger Complete Portfolio later that year. This was not a studio session—this was a collaboration between friends.
Warhol and Jagger had known each other since 1964, when the Rolling Stones first toured the U.S. Their relationship had already produced one of the most iconic album covers in rock history: Sticky Fingers (1971), designed by Warhol, complete with its working zipper.
Warhol once described Jagger as “very talented, very intelligent, very handsome, very adorable, and a great businessman.” The prints reflect that admiration.
Warhol’s silkscreens of Jagger are not serene, they vibrate. Layers of color slash across his face like riffs of sound. Yellows and crimsons collide like stage lights mid-encore. Each print hums with rhythm, tension, and movement.
You can hear the music trapped inside the ink.
After Warhol’s death in 1987, Jagger said of him: “He captured society, whatever part of it he wanted to portray, pretty accurately. If you want to be reminded of a certain period, you can look at what Andy was doing then.”
Even now, the prints still pulse with the energy of that moment.
·
·
·
·
Image Credits:
1. Andy Warhol and Mick Jagger. Photographed by Pierre Schermann, 1972.
2. Mick Jagger and Andy Warhol at The Factory. Photographed by Ken Regan, 1977.
3-4. Mick Jagger (portfolio of 10). Andy Warhol, 1975.
5. Mick Jagger. Photographed by Andy Warhol, 1975.
6. Mick Jagger 143. Andy Warhol, 1975.
#AndyWarhol #MickJagger #TheRollingStones #PopArt #RockAndRoll #1970s
#ArtHistory #ContemporaryArt #CelebrityCulture #IconicMoments #MusicHistory
#PortraitArt #CulturalIcons #RevolverGallery
Summer 1975. Warhol’s houseguest: Mick Jagger.
Mick Jagger and his wife, Bianca, had rented Warhol’s Long Island home that summer.
During that visit, Warhol photographed Jagger extensively, producing the Polaroids that would become the basis for the Mick Jagger Complete Portfolio later that year. This was not a studio session—this was a collaboration between friends.
Warhol and Jagger had known each other since 1964, when the Rolling Stones first toured the U.S. Their relationship had already produced one of the most iconic album covers in rock history: Sticky Fingers (1971), designed by Warhol, complete with its working zipper.
Warhol once described Jagger as “very talented, very intelligent, very handsome, very adorable, and a great businessman.” The prints reflect that admiration.
Warhol’s silkscreens of Jagger are not serene, they vibrate. Layers of color slash across his face like riffs of sound. Yellows and crimsons collide like stage lights mid-encore. Each print hums with rhythm, tension, and movement.
You can hear the music trapped inside the ink.
After Warhol’s death in 1987, Jagger said of him: “He captured society, whatever part of it he wanted to portray, pretty accurately. If you want to be reminded of a certain period, you can look at what Andy was doing then.”
Even now, the prints still pulse with the energy of that moment.
·
·
·
·
Image Credits:
1. Andy Warhol and Mick Jagger. Photographed by Pierre Schermann, 1972.
2. Mick Jagger and Andy Warhol at The Factory. Photographed by Ken Regan, 1977.
3-4. Mick Jagger (portfolio of 10). Andy Warhol, 1975.
5. Mick Jagger. Photographed by Andy Warhol, 1975.
6. Mick Jagger 143. Andy Warhol, 1975.
#AndyWarhol #MickJagger #TheRollingStones #PopArt #RockAndRoll #1970s
#ArtHistory #ContemporaryArt #CelebrityCulture #IconicMoments #MusicHistory
#PortraitArt #CulturalIcons #RevolverGallery
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